EDIT. MOTION.IMPACT.
Frame by frame.I cut, grade and animate stories that hold attention — end to end, inside the Premiere, After Effects, Resolve and Blender ecosystem.
Numbers that actually shipped.
Not a template guy. Every frame earns its place.
I work end-to-end — story pass, edit, sound, grade, motion graphics — so the cut you approve is the cut that ships. No handoff gaps, no "the colourist will fix it later". Seven years, hundreds of timelines, one obsession: pacing that doesn't let go.
Edit & Story
Rhythm and structure built around the message, not the music bed.
Motion & 3D
After Effects and Blender for titles, product beats and camera work.
Colour & Finish
Resolve grade, Fairlight mix, platform-ready delivery masters.
Selected work shipped, not shelved.
Two ways I work with you.
We Edit
Your footage, my timeline. Long-form, multicam, social cutdowns — delivered on spec, on schedule, ready to publish.
We Create
Concept to master. Direction, motion design, 3D inserts and grade built from a blank canvas around your story.
Four tools, one pipeline.
- 01Premiere ProAssembly, multicam, long-form structure and social cutdowns.
- 02After EffectsMotion graphics, titles, cleanup, tracking and compositing.
- 03DaVinci ResolvePrimary grade, secondaries, Fairlight mix and delivery specs.
- 04Blender3D inserts, camera moves, product renders and set extension.
What clients say afterwards.
He delivered more than we asked for — and two days early. The grade alone changed how the whole campaign reads.
Rare to find an editor who thinks like a director. Every cut had a reason behind it.